MY POLISH HEART
The rules are now being extended to cover nurses, dentists and midwives who come to Britain from the EU. Fryzlewicz denied wrongdoing claiming his English tests results were 'too low and not accurate' and that they had been 'manipulated' by the GMC. He said he was repeatedly interrupted during the tests themselves and asked to provide fingerprints and his passport. He admitted failing to supply the GMC for his exam results - but claimed to do so was 'an affront to his dignity as a doctor.
In broken English he said: 'All the results are different.
What is suspicious is the strange atmosphere and the pressing me for exams by the GMC which they shouldn't because I am not obliged to take this exam. In my opinion it is a bad law, an anti-freedom law.
South American Guerreiro hoping to show he has a Polish heart
The panel found Fryzlewicz guilty of various misconduct charges but cleared him of accepting the post at John Radcliffe hospital. Chairman Dr Harvey Marcovitch said: 'Although you referred in your emails to having accepted the post at the hospital, the panel acknowledged that the English you used in your emails may not have accurately reflected the ongoing process.
Although there has been no evidence of actual harm to patients, the Panel noted the additional supervision, assistance and time which have been required to ensure that you worked safely.
Your problems in communication give rise to a potential for harm to patients. Share this article Share.
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When I met Vladyslav Sendecki who I consider to be one of the greatest and most brilliant pianists of our time , and I got to know him better, I realized that there is a connection between him as a person and the endless freedom and emotional depth in the way he plays.
Polish Hearts member base: Broad and diverse
He has an unparalleled depth and almost unlimited instrumental skills. I felt that there is more to this classically trained pianist than one can see, when he plays Jazz or with the Bigband. So I composed a piano concerto for him, that really explores the orchestral colors, and offers a lush playground for Vlady. What makes Vlady's way of playing so fascinating for me is that he is able to make music completely beyond all stylistic or technical restrictions and to create sound images with incomparable beauty, musical depth and passion, without fear of heartfelt romance or Sentimentality.
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Together we were able to create a new partnership between a composer and a soloists that goes far beyond what is usual in the field of jazz or the composition of solo concerts. Instead of rigid specifications concerning the way the Soloist should play, it is in this case rather a musical dialogue between composition and improvisation based on chains of association and jointly developed dramaturgy. The complete musical openness makes it possible for me to create extreme opposites, from polish folk music to romantic sounds with imaginary landscapes and to abstract sound patterns or archaic emotions, without losing the self-evident naturalness or the thrilling tension of over 40min.